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How To Riyaz On Tanpura

How To Riyaz On Tanpura,  Tanpura Se Riyaz Karein No singer can be proficient in singing without the help of Tanpure. Tanpura Se is a very g...

How To Riyaz On Tanpura, 

Tanpura Se Riyaz Karein No singer can be proficient in singing without the help of Tanpure. Tanpura Se is a very good and helpful instrument for Riyaz. 

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Tanpura Se Riyaz has acquired a very important place in North Indian music.

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How To Riyaz On Tanpura, 

 How To Riyaz On Tanpura
The first swar of the tanapura matches the Pancham (.p) of the lower octave, i.e. the sound of the first swar of the tanpura is heard by us is pa of lower octave, and in indian classical music we need follow the rules of the swaras used in a raga for the practice of a raga.

 According to the raga the tone of the first swar of the tanpura, it should be matched with the pa, ma,  or .ni of lower octave. We all know that music consists of seven shudhha swaras and five vikrit swaras i.e. twelve swaras in total, and there are three octaves - lower, middle and higher octave.

How To Riyaz On Tanpura/Tanpura

So the sound of the first tone of the four strings of Tanpura will be heard by us is "ma." of lower octave . wheather it is electronic Tanpura or manual, we will hear the tones of the four strings. The second and third strings of the tanpura match with the "sa" of the middle octave, so whether it is the electronic tanpura or the manual, the second and third swaras will hear the same tone because both our main scale i.e. the "sa" of the octave Would be Now the fourth and last swar of the tanapura is match with the "sa" of the lower octive. If we are sitting for Riyaz with tanpura, whether it is electronic tanpura or manual, we will have to listen to this tones carefully first, on listening carefully we will hear all the four strings of the tones of the tanpura i.e. ;- pa. sa sa sa

If we have an electronic tanpura, we have to tune it in our scale, we all know that  everyones scales are according to the throat range of all individuals, yet the common scale in which about 70% of people can sing is the first Kali or C # for men and the fourth. Kali or G # is for women, then we should first tune the manual tanpura in our scale, then we can go to practice with our "sa"


First of all, close your eyes and listen to the sounds of tanpura and then start Riyaz. There are some ragas in which "pa" is not used, in that case we should tune our tanapura with "m.", after that when we start hearing all the four swar of tanpura and understand it, then first of all we should sing "sa" properly. After understanding all the tunes of tanpura properly in the mind, first of all we have to say "Hmmm" instead of "Sa", after that, we have to sing ikar, okar, ekkar, ukaar, then we should listen carefully and listen to the tone It is to be understood that the "Sa" of Tanpura is found in our "Sa" is the same sound, if not, it means that we have neither heard nor understood the voice of Tanpura correctly, then again Listen carefully and understand and start the Riyaz again with first step, now if your voice is matching with the sound of tanpura, then understand that Riyaz is getting right.

First of all, close your eyes and listen to the sounds of tanpura and then start Riyaz. There are some ragas in which "pa" is not used, in that case we should tune our tanapura with "m.", after that when we start hearing all the four swar of tanpura and understand it, then first of all we should sing "sa" properly. After understanding all the tunes of tanpura properly in the mind, first of all we have to say "Hmmm" instead of "Sa", after that, we have to sing ikar, okar, ekkar, ukaar, then we should listen carefully and listen to the tone It is to be understood that the "Sa" of Tanpura is found in our "Sa" is the same sound, if not, it means that we have neither heard nor understood the voice of Tanpura correctly, then again Listen carefully and understand and start the Riyaz again with first step, now if your voice is matching with the sound of tanpura, then understand that Riyaz is getting right.

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