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How to sing in rhythm, What Is Lay Matra and Taal

How to sing in rhythm, What Is Lay Matra and Taal In this post we will know the answers to all these questions, how to sing in rhythm , what...

How to sing in rhythm, What Is Lay Matra and Taal

In this post we will know the answers to all these questions, how to sing in rhythm, what is rhythm, how many types of rhythm are there, how to understand volume, department, even, clap and empty. What Is Lay Matra and Taal.

Kishore Kumar Hit Songs

हिन्दुस्तानी क्लासिकल संगीत से सम्बन्धित व्याख्याएं, राग, बंदिश एवं उनके नोटेशन हिंदी में पाने  के लिए क्लिक करें -  Sur Sarita Techknow

Hanuman Ashtak

What Is Lay Matra and Taal

All of them have a lead role in Lay Matra and Taal in Indian Classical Music. Without Lay Matra And Taal, Indian Classical Music cannot be imagined.

what is the type of rhythm -

 How many types of rhythm and rhythm are there, how to understand volume, division, even, clap and empty. In music, a common motion is called rhythm. There are three types of rhythm - delayed rhythm, middle rhythm, and rapid rhythm. The best example to understand rhythm is found in our everyday work. For example, in walking, running or speaking, we do some work very quickly and some of them are in the same state of rest, in between them we stop for some time, the same happens in music. It also has the same speed.

What Is Lay Matra and Taal
What Is Lay Matra and Taal

 Types of Lay -
       Generally, there are three types of rhythm - delayed rhythm, middle rhythm, and fast rhythm. Music is made up of singing, playing and dancing, and all these require rhythm, there cannot be singing, playing or dancing without rhythm. There is definitely a rhythm in these three genres of music.


 1. Vilambit Lay - When the rhythm is slow in singing, playing or dancing, it is called delayed rhythm.
2. Madhy Lay - When the rhythm is normal in singing, playing or dancing, it is called the middle rhythm.
3. Drut Lay - When there is a fast rhythm in singing, playing or dancing, it is called a rapid rhythm.
    Generally, Madhy Lay is equal to one second, Vilambit Lay is considered half of it and Drut Lay is twice its size. Any singer can increase or decrease their speed according to their requirement.


 What Is Matra And Taal -

    Lay Matra And Taal also has an important place in Indian Classical Music. Quantity is a unit of measuring time in music in exactly the same way as a fluid. And for concrete, there are kg, meter etc. The time between two applause is called quantity according to the number, length and shortness of the volume. When there is more time between two cheers then there will be a delayed rhythm, when the time between the two cheers is normal then there will be a middle rhythm and when the time between two cheers is reduced to half than normal, then there will be a faster rhythm. When there is a volume in the middle rhythm, the same amount will be double in the fast rhythm and half in the delayed rhythm. Different groups of quantities are called tal.


 Hindustani music (Indian classical music) has many rhythms such as three tal, Ek tal, Kaharwa tal, Jhapatala, Dadra tal, Dhrupad tal, Deepchandi tal, Metaphor tal, Tilvada, Char tal etc. Tabla and pakhawaj are used to give rhythm. These locks have certain lyrics. Like - ta. You, neither, Dhi, Kit etc.


        "Rhythmic composition is divided into a few departments."
Departments - The departments of each rhythm are numbered because there are as many divisions of the lyrics of the rhythm as there are. For example, three pools are of 16 quantities and it has four departments each, so there are 16 volumes and four departments.


Here some locks are given for example -

1. Teen Taal -

Quantity - 16, Department - 4, each department of 4 - 4 quantities.

Clap - at 1,5 and 13 and empty at 6

Dh dh dh dh dh dh dh | Dh dh dh dh dh dh dh | Dha Tinta Tinta | Ta dhan dindh

x                                    2                                     0                          3

Or

Na dhan dhin na | Na dhan dhin na | Na ti ti na | Na dhan dhin na

 x                           2                           0                 3

2. Dadra Taal -

Volume - 6, One Department.


3. Rupak Taal -

Quantity - 7, Department - 3, first department of 3 quantities and the remaining 2 departments of 2 - 2 quantities -


4. Kahrwa Taal -

Quantity - 8, Department - 2, each department of 4 - 4 quantities.

Clap at 1 and empty at 5 -


What Is Sam Taali aur Khali  -

     Sam Taali Aur Khali features North Indian music. Sam Taali Aur Khali is always on the first volume of the department. To show the rhythm, we can show tabla, pakhavaj, dholak or with special gestures of hands. The clap that falls on the first volume is called sum. In singing, playing and dancing, there is a strong emphasis, and where the instruments strike a sound and produce a sound, it is called clapping and where they do not make a sound they shake their hands.


  Hindustani music (Indian classical music) has many rhythms like - Teen Taal, Ek Taal, Kahrwa Taal, Jhaptaal, Dadra Taal, Dhrupad taal, Deepchandi taal, Rupak Taal, Tilwada Taal Aur Char Taal etc. Tabla and pakhawaj are used to give rhythm. These locks have certain lyrics. Like - ta. You, neither, Dhi, Kit etc.

हिन्दुस्तानी क्लासिकल संगीत से सम्बन्धित व्याख्याएं, राग, बंदिश एवं उनके नोटेशन हिंदी में पाने  के लिए क्लिक करें -  Sur Sarita Techknow

Hope you like this post. If you want to know the detail description department and quantity of these locks, then you must comment us.
 


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