Page Nav

HIDE

Breaking News:

latest

What Is Swar Sadhna In Indian Classical Music in english

Swar Sadhna In Indian Classical Music -   "The rhythmic riyaz of the voice is called Swara Sadhana. It is very important for the singer...

Swar Sadhna In Indian Classical Music -

 "The rhythmic riyaz of the voice is called Swara Sadhana. It is very important for the singer to be melodious in singing. To make the vocals melodious, it is necessary to make melody. 

Kishore Kumar Hit Songs

Hindi Songs sargam Notes

हिन्दुस्तानी क्लासिकल संगीत से सम्बन्धित व्याख्याएं, राग, बंदिश एवं उनके नोटेशन हिंदी में पाने  के लिए क्लिक करें -  Sur Sarita Techknow


Swar Sadhna In Indian Classical Music in english
Swar Sadhna In Indian Classical Music in english


" What is vocal practice - 

        how to do it and how many days it takes and why vocal practice is necessary, we are going to know the answers to all these questions related to Hindustani music. Swara Sadhna, 

Swar Sadhna-Indian Classical Music - 

You all must have heard that we should practice every day, practice, pray, and make the song shine. Riyaz and practice are both synonymous with the same word, Riyaz in Urdu and practice in English.

 tips.sursaritatechknow.com

            The rhythmic riyaz of the vocals are called swara sadhana. It is very important for the singer to be melodious in singing. To make the throat (voice) melodious, meditation is essential. Now it is the turn of the throat to be melodious, it is divine to a great extent, but in singing, the voice has to be moved up and down, so it is not enough for the vocals to be divinely provided, but by Riyaz it is made even more melodious and singing Worth making, for which Riyaz is required every day. 

Swar Sadhna Indian Classical Music Some essential rules of vocal practice

 

1. Harmonicity of the throat - 

To use (speak) the vowels in their proper place is called melodiousness, first of all we have to keep in mind that whatever vowel we are applying should be applied to the vowel correctly and then the vowel Start the Riyaz of, which has to be done by making a balance daily, ie Riyaz should be done in a regular way. The way we practice every day, we will also do the same type of singing in exam or music meeting or any live event. It is not necessary that there is no fear of being dis harmonized by this type of practice. So whenever you practice, do it by mixing the vowels properly or under the care of your gurus, you will avoid being unsafe. Otherwise, due to wrong practice every day, you will remain uninspired. Therefore, every student of music should also avoid the mere shadow of lullaby. Try not to try more than your capacity, because even in such a state there is a fear of becoming unsafe. 

 

"So whenever you practice, do it in the right way by mixing the vowels or in the care of your gurus." 

2. Importance of breath - 

Breath has a significant contribution in singing, so we have placed it at number two. Breathing in an inappropriate place at the time of singing or loud breathing while singing is bad to hear and also leaves a rhythm that leaves a bad impression for singing. While singing, how and at what time one should breathe, these two things should be kept in mind, which causes pigmentation in singing. So how to improve it? The ability to lengthen the voice more than that can be achieved through vocal practice. While doing vocal practice, the breath can be prolonged for as long as you stay in one breath on one voice. 

 

3. Maintaining the decorum of the vowels -

 At the time of singing, it is very important to follow the modalities of the vowels from our scale, most of the singing remains in the middle octave, there is less need for mandra and chord octave. To reach the wire octave, we must first try to take our larynx as far as possible in the temple and then slowly in the wire octaves. You should try not forcefully, otherwise the throat can be damaged, so go to the wire octave according to your ability. The spread of the vowels should be gradually increased up and down and should not be forceful with your voice. There are many defects in voice due to wrong practice, so I have also told in the above line that whenever practicing, do it in the care of your gurus.

 4. Melodiousness with melodiousness -

Singing is not only important in melody - Along with that, there should be melody in singing and we can bring melody in our tone with daily Riyaz (vocal practice). If some faults are removed from the Riyaz, we can also get sweetness such as - no proper sound, stuttering, unnatural vibrations etc. So we have told you what is vocal practice and what are its rules. Now when it comes time to do vocal practice. And when you leave it, you know the ability of the human brain to forget, number one. Music is not the name of a pond, but it is a sea in which the swimmer fails and the drowning passes, the more it goes into the depths, the better it will become. So the longer you continue to practice music, the better it will be for you. 

 

"I hope you like this information." Click on the follow button to get information related to Indian Classical Music, Hindi notation of raga bandish, Hindi notation of film songs, Hindi notation of superhit hymns, Hindi notation of folk songs, review of musical instruments, and technology-related information. Please follow "www.sursaritatechknow.com". And subscribe to my youtube channel Sur Sarita techknow.

Realeted Post -

how-to-sing-in-rhythm-what-is-lay-matra


| | Please Comment and do share || 

 हिन्दुस्तानी क्लासिकल संगीत से सम्बन्धित व्याख्याएं, राग, बंदिश एवं उनके नोटेशन हिंदी में पाने  के लिए क्लिक करें -  Sur Sarita Techknow

Thanks

 - Pawan Shastri (sursaritatechknow)

No comments